Twin needle Coptic stitch, Origata and a Stub binding

Some of you will know that I’m pretty focussed when it comes to how I use my time. If I’m not teaching or doing (the absolute bare minimum) ‘family / house’ stuff then I am in my studio making art. I read, do jigsaws, watch zombies on prime / netflix to wind down before bed but nearly all of my ‘free’ time is spent in the studio making art. I call this being focussed. Husband uses the word driven. I do get knackered sometimes and hubby will suggest I take a day off. Day off clearly means something different to him. To me it means wake up, skip having a shower, put on yesterdays t-shirt, kick aside the pile of laundry as I leave the bedroom, ignore the dirty dishes, grab a big packet of chocolate biscuits and head straight out to the studio. Remembering to lock the studio door so that I can’t be interrupted by my well meaning husband.

I do however make time for making books. I guess you could call it my ‘hobby’ now that textile art is my career / vocation.

And this last week I’ve been delighted to have friend, textile artist and book binder Ruth Brown teaching in the studio. I couldn’t sit in every day but I did make three of the five books that she taught during the week. My first ever twin needle Coptic stitch bound book which I love! Much firmer than the single needle version books I’ve made in the past and so many design possibilities. An Origata bound book which features a folded paper wrapper that holds the front and back covers. And a little stub bound book. The students also got to make a hard backed notebook and a travel journal.

Ruth is an excellent teacher and has a brand new studio in Otringham, nr Hull. Do have a look at her website here for details of her workshops. She will be demonstrating in The Creative Textile Studio at this summers Festival of Quilts as well as helping me on my stand. Do stop by and have a chat with her if you’re interested in book binding. (And don’t tell anyone but she is currently writing a book on hand bound books with stitched spines and will be teaching here at Urban Studio North in 2023 …. details to follow!).

Detail of Artefact 4,

Making art comes with lots of highs and lots of lows. Those magical days when everything you’ve been working on comes together and you know you’re making good art. The whoop whoop moments when a piece of work is accepted in a juried exhibition. The rarer, whoop whoop whoop moments when a piece wins a prize or sells. In contrast - those weeks when you just can’t get ideas out of your head onto fabric, when everything you print or stitch is somehow wrong. And those, all to common, moments when a piece is rejected. You know you shouldn’t take it personally but you do.

Most of the time though the process of making art brings with it a quiet joy and a deep sense of contentment and well being. There are somethings that are not so much ‘fun’ but that’s OK because they are just one step in an overall process that you love. I print my fabrics with dyes and the rinsing and washing stage is the step I like least. But I end up with a pile of beautiful fabrics ready to use in the next stage of my process which makes it OK.

There is one thing though that I find just boring. And that is stitching sleeves to my quilts. Stitching the facings is OK as this finishes the piece and makes it ready to photograph and to share. But sleeves ….. nobody sees them, they add nothing to the visual impact of my finished art. It is very tempting to not add them until a piece has been accepted into an exhibition ….but then you find yourself working late into the night on a piece that has to be delivered / shipped the next day. Yes, been there, done that!

But this week I have been a good girl and have completely finished the piece that I’ve entered into Festival of Quilts (detail above). As per usual it is a big quilt. And as per usual I’ve added sleeves to both the top and the bottom of the quilt. Thank goodness for good coffee and a good supply of chocolate!

It is so nice to share lots of good news. Spring is in the air and there is a definite spring in my step!

First of all a very big thank you to everyone who has brought an Inspiration Pack or booked a workshop this month. So far we raised £225 for The Trussell Trust who support food banks in the UK. I have just 1 inspirations pack left (£5 donation for each pack sold) and I will be donating £10 for every workshop sold during April.

Secondly I am absolutely thrilled that Artefact 2 (above) has been juried into this years Quilt Visions at Visions Art Museum in Seattle. I am always a bit anxious as I start a new series because I might think I have created something beautiful but the rest of the world might disagree. Having a piece accepted in a juried exhibition is a massive confidence boost. Now I just need to ‘find’ more time to make more quilts! I’m also going to be shipping Cadence 7 to the US at the beginning of May. It is being exhibited as part of Excellence in Fibers VII at the Schweinfurth Art Center. So lots of good news on the Art front.

And good news in the studio. After a two year delay, because of you know what, I was absolutely delighted to welcome Alice Fox into my studio this weekend. Alice is an amazing artist and brilliant teacher. Many thanks to Angela, Lynn, Mandy, Anita, Judy and Sam for their amazing work…. there is some eye candy for you below!

This weekend marks the beginning of my ‘peak’ teaching period with workshops coming thick and fast. Quite a few workshops are full but there are still places available on some. It is short notice but I do have two places left of a workshop by Debbie Lyddon called Decorative Surfaces for 3D Textiles. It is a 4 day workshop (3rd to 6th May) and costs £360. If you are interested please contact me here.

It was wonderful to be at the Scottish Quilting Show in Glasgow last week. The atmosphere was very different to the last time we were there two years ago. Then we were all nervous and anxious about a new virus that would go on to cause so much sorrow and hardship. This time there was a sense of hope and of life getting back to normal. It was so lovely to meet old friends and to see many familiar faces.

I was busy demonstrating breakdown printing on my stand and enjoyed explaining the process to so many visitors. I’d like to thank all of those who took the time to talk about printing and about the quilts I had on display. And all those who spent money …. the Wonky Print Inspiration Packs went down very well! I’d like to thank the lovely ladies on adjacent stands for ensuring there wasn’t an unwanted puddle behind the stand on the Thursday when I was on the stand by myself. And a very big thanks to my friend Ruth Brown for joining me for the rest of the show (Ruth is teaching two bookbinding workshops in my studio this year).

I printed ten pieces of fabric during the show. These will be appearing in a Wonky Print Pack soon as I am exhibiting at The Creative Craft Show at the ExCel Centre in London on the 1st and 2nd April. As soon as I have details of my stand I will share them with you. I will be printing on my stand and will have lots of my hand dyed and printed fabrics with me …. but only if I get a wriggle on ….

Bye for now, Leah

The weather in the UK has been awful for the last few days so I thought you might appreciate some eye candy! Last week I had the very great pleasure of welcoming Christine Chester to my studio. She taught her 5 day Poetry of Decay class and it was fabulous. It is a mixed media workshop in which students add layers and layers of texture and colour to paper and cloth. Christine worked the students hard but the results were worth it. My thanks to Christine and especially to the students - Inge, Pippa, Chris, Gill, Ruth, Judy and Lesley.

A very big thank you to Rosie James for teaching in my studio this week! I love her work and it was great to see her processes. The students loved it!

Here are just a few images of students work. In order: Jan, Janet, Ali, Tracey (x2), Sam, Kate and Sarah

Time has done that weird thing again. The four week gap I had between workshops looked so long and held so much potential for making art …. and it feels like it has gone by in a flash! Don’t you just hate it when that happens!

My studio is nearly ready for tomorrows and next weeks Breakdown Your Palette workshops. I just need to pack away my sewing machine which I can do in the morning. I am determined that before I go to bed tonight I will have finished the straight line quilting on my latest quilt. I had hoped to get this done and the two halves of the piece sewn together but that might be too much to ask. I have a gazillion ends to sew in which I can do in the evenings but I will have to wait two weeks before I can finish the quilt. It is exquisitely frustrating to be close; to know what you want to add to a piece to finish it and to know how you want to start the next piece in a series …… But such is life!

That said I will be spending the next two weeks breakdown printing with the added bonus of having students in my studio! I can live with that.

Leah x

Another week has passed and I’m feeling really positive about the piece I’m working on! Having got a lovely stack of breakdown printed fabric I spent a couple of hours cutting about half of the fabric into long strips. I cut them in three widths - 2.5inch, 1.5inch and 1inch - without thinking about where the cut landed on the fabric. I think I’ve mentioned before that I don’t cherry pick which fabrics to use. The beauty of breakdown printed fabric is the density of mark you get and the fabulous combinations of colour and mark you get when selecting fabric and using fabric in a random way.

I then divided my pile of cut strips into two groups - a darker value group and a lighter value group - albeit a few of the strips sort of sat in the middle and could have gone in either group. And then the real fun began! I took the pile of darker value fabrics, opened up the strips and jumbled them all together. I closed my eyes and started plucking strips from the pile at random. I pinned the strips to my design wall in the order I picked them. I wanted the finished quilt to be about three metres long so needed about 4.5 metres of strips - good job I have a big design wall.

Next I inserted paler sections of fabric of varying length into each strip. Although I selected the fabric pieces at random I based the length of each insertion on a short musical score of twelve notes. The earlier quilts in this new Cadence series were constructed using ‘pleasing’ shapes with no intent other than to enjoy the process of making. But having regained my creative confidence I wanted to link this new piece to ‘cadence’, in this case a musical cadence. Because the width of the strips varied the repeat pattern was not immediately obvious but I know its there.

It is always very tempting at this stage to do some ‘tweaking’; swapping out bits of fabric that maybe don’t have a lot of interesting marks on them or switching fabrics around to avoid two strips cut from the same fabric sitting side by side. But it is often these ‘imperfections’ that pop and create interest in the finished quilt so I resisted temptation and moved onto to constructing the quilt.

Because my sewing machine only has a 7 inch throat I construct large quilts in two halves and put them together as late in the stitching and quilting process as possible. I prepared two pieces of backing fabric and wadding, using basting spray to attach the wadding to the backing fabric. And then I used a stitch and flip method to add my strips, in order, to the wadding / backing. I love this method of construction because it eliminates the basting process .. I am making my ‘quilt sandwich’ as I join the strips. But also because it allows me to keep the long edges of all my strips parallel satisfying the control freak in me! In the photos below you can see that I use a sharpie to draw parallel lines, 2 inches apart, on my wadding. In my Ruins quilts all my strips were 2.5inches wide so each raw long edge lined up with a drawn line. In these Cadence quilts the strip width varies but I can still use the drawn lines as a guide. And so I have spent three days this week stitching and flipping! And as I’ve been sewing I’ve been thinking about the quilting and thinking about the orientation of the finished piece …. wondering what it would look like turned through 90 degrees?

I find myself in the envious position of having four weeks between teaching commitments with very few demands on my time. My online Breakdown Your Palette workshop is ticking along smoothly, there are no hints of impending crisis / distraction on the family front and my ‘bits and bobs’ to do list is pretty short.

So I am free to make ART! I have a ‘Cadence’ quilt in my head that is screaming to get out so the timing is good. This new series is inspired by the joy of process, the joy of making. And it certainly is joyous to be able to immerse myself in it. The fact that spring is here and we’re enjoying a spell of warm, sunny weather just adds to the sense of well-being that comes with making.

Now that I’ve cleared out the drain on my screen washing trough (it’s a glamourous life!) I have been able to spend this last week breakdown printing. I started by making and drying 25 embedded object type breakdown screens. I used the same set of objects over and over again so that there are common shapes and marks on my printed fabrics. I worked with seven of the darker value colours from a colour family and kept each colour separate so have printed a set of mostly monochromatic fabrics. And what a glorious collection of fabrics they are! Ranging from turquoise to a muted grey-purple these are definitely fabrics that make my heart sing. And I have plenty - I printed about 18 square metres this week and have lots of lighter value fabric in the same colourway left over from an earlier printing session.

Next up - cutting the fabrics up then ‘composing’ the quilt! One week down, three to go.