…… which is, obviously, my preferred pace of life! A big thank you to everyone that came to see me at The Scottish Quilt Show a couple of weeks ago. Especially all those ladies who have signed up for my Colour Play class at Region 13 (Quilters Guild) Summer School in June and just stopped by to say hello. I’m going to be teaching a class of 20 how to screen print with limited access to water, it’s going to be fun if a bit chaotic!

Thank you also to Bolton Textile and Stitch Group for inviting me to talk to them this week. It’s always nice to visit a large and thriving textile group and I enjoyed all the questions and chats after the presentation.

Looking ahead, I will be giving another talk at Salford Museum and Art Gallery on Saturday 13th April at 1pm. This one will focus on the coal mining pieces in my solo exhibition and I’ll be inviting people to share their memories of the mines in Salford and the surrounding area. You can find more details here. The event is free and no booking is required. The Museum is well worth a visit and you can usually park right outside at the weekend.

And looking further ahead I have just received confirmation that I will be teaching two 5-day workshops in Colorado, US in September 2025. I will also have a solo exhibition at the same venue. Super excited about this. More details to follow later in the year.

And the cherry on the icing on the cake - Storm 1 (Jagged), above, will be going to its new home in a few days.

Happy days, x

At long last I have started working again on an online version of my Simply Screen Printing 5 day workshop and book. I started last May with the hope of getting it done for Christmas but then a couple of small things got in the way…. Festival of Quilts and the solo exhibition. OK, maybe not small things. I’ll share lots more detail (and photos) over the coming weeks but I thought I might tease you with detail from one of the fabrics I’ve printed this week. It is intentionally pale and delicate. The first layer of print was created using a loose paper resist and the second layer was printed using an embedded object breakdown printing screen. Not my ‘usual’ colours but I have rather fallen in love with this piece and will be adding stitch to it during my annual retreat in the Lake District later this month. Calamities aside I intend launching the new online workshop on 1st March.

I’ve also been getting organised for a childrens workshop that I will be running at Salford Museum and Art Gallery on Sunday 25th February. Bit outside my comfort zone but it is good to give back to the staff at the museum who have done such a fabulous job hosting my exhibition. Although I might need to lie down in a dark room for a while having spent the afternoon with 30 children using textile inks and acrylic stamps to decorate aprons and bags! You can find more details here.

And just to stop me getting bored, I am also getting ready for The Scottish Quilt Show at the SEC in Glasgow from 7th to 9th March. You can find details of the show here. I only do a couple of shows a year and this one is actually my favourite. Yes Festival of Quilts is the big earner but it is just so busy and frantic that I never have time to really chat to people let alone visit the galleries. Whereas in Glasgow I get to chat and have a walk round. I also get to see my daughter who lives in Glasgow which is a bonus! So if you plan on visiting the show please stop by! Now I just need to print about 50 metres of fabric …..

Artefect 6 - new work for my exhibition Beneath Our Feet

I may have mentioned once or twice that I currently have a solo exhibition called Beneath Our Feet at Salford Museum and Art Gallery. The exhibition runs until Sunday 5th May however I will be holding a ‘meet the artist’ event there on Saturday 27th January from 1pm to 2pm. The event is free and you don’t need a ticket, you can just turn up.

There is another exhibition on that some of your might find interesting. It is called Islington Mill - 200 Years in the Making and contains some textile pieces. Islington Mill has been part of my family life at various times over the last 20 years and it is great to see how it has evolved over the years. The museum also has other galleries, a shop and a lovely cafe that serves really good coffee and cake!

I hope that some of you can join me, even if you have met this particular artist once or twice before!

…… because we all deserve some colour in our life during these grey January days!

May I wish you all a very happy and creative 2024 and express my thanks to those of you who have brought my fabric packs! You are definitely worth it ladies!

I thought I would start the year by sharing one of the new pieces I made for my current exhibition (Beneath Our Feet). This isn’t one that was rolling round in my head for ages, instead it popped out as a fully formed idea after seeing an image of a collection of solid coloured vases made by Pilkington Tile & Pottery Company around the turn of the 19th century. Pilkington is one of the inspirations for my Artefact series with all the quilts I have made so far being pale and quite subtle in their colouring. Not this one though …. which is why I have chosen to not call it Artefact 7.

Pigment #1 celebrates the wonderful, brightly coloured glazes developed by the Pilkington chemist Abraham Lomax and others. The development of these glazes was an early example of where scientific advances, in this case in inorganic chemistry, were applied to the art of the potter. Using Dimitri Mendeleev’s newly published Periodic Table as a starting point, the Pilkington chemists carried out hundreds of controlled experiments. Oxides of copper, cobalt and iron were used to add colour to the crystalline, opalescent, eggshell, transmutation and lapis glazes developed by the company.

I selected five colours - golden yellow, rust, dark brown, a turquoise and a green made by mixing turquoise and dark brown dyes. The fabrics were breakdown printed with multiple layers of print to build up the density of marks. I then added a layer of the appropriate colour to both the front and the back of each fabric creating a set of vibrant fabrics. The fabrics were cut into stripes then into different length pieces. I kept all the golden yellow pieces 3 inches long but varied the lengths of the other colours. I then used my usual composition process - I jumbled the fabrics into a big pile, closed my eyes and picked pieces at random. These pieces were laid out in the order I picked them before being sewn together. I did swap out a couple of pieces but that was all.

All good and such fun. I took photos with my camera as I worked so that I could post on Instagram. And something really interesting happened. The image above was taken with my fancy pants camera at 300dpi and is a really good representation of the colours. The image below was taken with my phone at 72dpi …. and the colours look so different even though the lighting conditions were similar. The green is indistinguishable from the blue and the brown looks much more blue than it actually is. Which is really weird. So I used my camera to photograph pieces of the blue and green fabrics with space around the two fabrics (scroll to bottom) and they are very definitely different colours.

The science of colour is fascinating. How we each ‘see’ colour is unique as it depends on the biology of our eyes but also on the interaction of different colours as they are placed side by side. And how we ‘share’ colour is dependent of the devices we use to capture and display colour.

I love it and am looking forward to having a colour filled 2024!

My solo exhibition is now open and, in my humble opinion, looks blinking fabulous. The team at Salford Museum and Art Gallery have done a great job with hanging the pieces. The exhibition runs until Sunday 5th May 2024 and I’ll be doing a couple of artists talks in the New Year (more details to follow). If you want to read more about my inspiration for the exhibition there is now an extended artists statement online which you can find here.

Having a solo exhibition in such a wonderful location is a really big deal for me so needless to say that I was rather nervous ahead of the opening last Saturday. Would anybody turn up? Thankfully lots of lovely people came and I had some wonderful conversations, especially about my coal mining pieces. In fact I was so busy that I didn’t take many photos during the opening but I will share images and details of the pieces in the exhibition over the coming weeks.

For now however it is all about Christmas. So may I wish you a very happy one!

Leah x

…….. and I got there! I was very happy, and mightily relieved, to deliver my art to Salford Museum and Art Gallery on Wednesday! I’ll be going to the museum next Wednesday to check that I’m happy with the hanging so expect lots of photos! The exhibition, called Beneath Our Feet will run from Saturday 16th December to Sunday 5th May 2024 with an opening event on the afternoon of the 16th December. You can get more info here.

I’d love to say that getting there was easy with no hiccups but I think the fact that I stitched the last stitch at 3pm on the day before I was due to deliver the art tells a tale! You just can’t schedule ‘life’!

Which is why I had a plan A, a plan B and a plan C …..with different layouts based on different numbers of new work. It pays to be pragmatic. And to have a support package (large quantities of good coffee, mince pies, Maltesers and other healthy foods) in place.

All that said, I would love to see some of you at the opening!

Leah xx

Four weeks until my exhibition, Beneath Our Feet, opens at Salford Museum and Art Gallery and I am delighted to invite you to the opening! The opening event, with drinks, is on Saturday 16th December from 1pm to 3pm. 

The exhibition runs until 5th May 2024 and the museum is well worth a visit. There is parking just outside with further parking a few minutes walk away. There is a lovely cafe and a shop.

The event is free but the Museum asks that you RSVP so they have an idea of numbers. Your can do this here -  https://salfordmuseum.com/event/Higgins/ . You'll need to scroll to the bottom and click on 'register'.

I hope that you can join me! I'll be the nervous looking woman propped up in a corner with a well earned glass of something! But for those of you who can’t I will post photos (and maybe a video) after I’ve had a little lie down ….

My upcoming exhibition opens at Salford Museum and Art Gallery on Saturday 16th December and everything is coming together! The lovely people at the museum have created a poster for me which I think looks rather lovely. And they have extended the exhibition - it now ends on Sunday 5th May 2024.

There will be a preview from 1pm to 3pm on Saturday 16th which you are all invited to! More details to follow but it would be lovely if you could join me. The Museum has other exhibitions including one from the residents of Islington Mill on its 200th anniversary, a rather lovely cafe and a shop.

I’m also going to do a ‘Meet The Artist’ session on Saturday 27th January 2024 and a Childrens Print Workshop on Sunday 25th February 2024. Again more details to follow.

In the perfect world I’d have all the art ready …. if only! The studio is a creative mess and I’m somewhat stressed. The exhibition is a combination of new and existing pieces. I’ve aimed to create four completely new pieces as well as substantially reworking one of the older pieces. Which doesn’t sound a lot. And it wouldn’t be a lot if I created small pieces …. the new pieces range in size from 120 x 120 cm to 400cm x 135cm so not small. And my process is quite time consuming. Which is a long winded way of saying that I’m working long, but very happy, hours! So if I’m a bit slow responding to emails please bear with me …

Leah x

First of all, a very big thank you to everyone who got in touch after my last post - your support means the world to me.

I have spent the last three weeks or so focussed 100% (well maybe 98%) on making art for my upcoming exhibition. And it has been wonderful! An unexpected heat wave has slowed me down a bit over the last couple of days but I’m one day ahead of schedule and, much more importantly, I’m really happy with the work I’m creating.

I will be making 3, possibly 4 new pieces and reworking an older piece. Doesn’t sound much but this includes two new, large pieces from my Ruins series. The last piece I made in this series was in 2019. Although I had some fabrics left over from then, there was nowhere near enough for the art I plan to create. So on Monday 21st August I started printing with the aim of printing 15 - 20 metres of fabric, more than I need right now but Ruins is an ongoing series. Since then I have finished the construction of Ruins 12 and have started quilting it. All of which is best explained in photos ….

1. (Above) The fabrics I already had.

2. (Below) Starting printing - I used 3 colours, rust brown, petrol green and half strength black.

3. Fabric printed using a wonky barcode breakdown printing screen.

4. I’ve got a big studio so I might as well use it … printing multiple pieces so that I can let the fabric dry a bit before adding another layer of print.

5. The dreaded rinsing and washing stage - has to be done!

6. Five days worth of printing, ironed and pinned to my design wall. Too much ‘light’ and too much ‘rust’.

7. Dyeing some darker fabric - I included some pieces of light printed fabric which were a bit ‘underwhelming’.

8. Printing darker, grungier fabrics.

9. The final palette of printed and dyed fabrics.

10. Adding small details to some of the fabrics using stencils, thermofax screens and textile inks.

11. Everything cut into mostly 2.5 x 6.5 inch rectangles. Scraps cut into 2.5 x 3.5 inch pieces. No cherry picking, just cut everything.

12. Shuffle fabrics, close eyes and pick pieces at random. Lay them out just as they come.

13. Layout with specific areas in light, medium and dark values. Layout loose on my big bench then sew short ends together and pin to my design wall.

14. Create my quilt sandwich with hand dyed cotton backing fabric and acrylic felt wadding. Draw parallel lines on the felt and start attaching long strips using the stitch and flip method. First piece, face up.

15. Second piece, face down.

16. Sew one quarter inch from line drawn on the felt. Flip the fabric over so front face is now showing. Add next strip, face down. Stitch. Flip. Add next strip …..

17. Once all the pieces are attached I can start quilting.

Of course its a little more complicated than this but you get my drift. And it will all make sense when the quilt is finished!