The Museum of Old and New Art just outside Hobart in Tasmania was amazing, crazily bonkers and stupidly overwhelming. A fitting way to end my trip to Australia.

Mona run catamarans from the harbour in Hobart to the museum and that short trip alone was full of wonder … we sailed past a zinc works, a massive sprawl of rusty buildings, gangways, conveyor belts and chimneys that I could have spent all day looking at! But that’s just me!

The museum is built into a hill. Yes into. There are 99 steps from the dock up to the grounds and the entrance. I’m a bit of a building geek and I spent more time looking at the structures and the art in the grounds than I did in the galleries.

On entering the museum itself the guide suggests going down to the third level then working your way upwards. The first 10 rooms featured an exhibition Oceans of Air by Tomas Saraceno, each room having a different level of darkness. Some rooms were so dark his artworks seemed to provide the only source of light. It was really disconcerting at times and the lack of sense of direction was weird. His artworks were very varied, utilising a wide range of materials, some were fragile, some were in your face. An amazing experience but one that induced sensory overload.

I wondered through tunnels and vast spaces, looking at, but not taking in more and more, pieces of art. Too much for one visit. Which means that I’m just going to have to go back one day!

Thank you again Glenys, Chris and Roz for inviting me to teach, I would have never got to visit Australia otherwise, to meet so many lovely people and to experience so many new things. I owe you big time!!

It was an honour to be invited to teach at the Fibre Art event in Ballarat last month and just a little intimidating. One of the other tutors was the brilliant Ester Bornemisza who’s work I have admired for over 20 years so I knew I needed to do a good job! Thankfully my students made that that job so easy. All 12 had previous experience with Procion dyes and 10 out the 12 had experience screen printing and they absolutely flew! Being honest I think I learnt just as much from them as they learnt from me.

We started by looking at colour and specifically colour when using Procion dyes before moving onto different screen printing techniques. Inevitably the group did a lot of breakdown printing but I was also delighted to see great results from loose paper resists. Along the way the whole group helped print a long strip of fabric that was raffled at the end of the event … it raised $70 for the India Project that the Fibre Arts team run.

On the final evening each of the tutors set up a display of their students work. I asked each of my students to pick their favourite two pieces and I think our ‘exhibition’ looked amazing.

Maybe because it was a residential workshop the students really ‘gelled’. So much so that we set up a public Facebook group called Breakdown Printing Australia so that we could keep in touch and, hopefully, grow the love of breakdown printing (which IMHO is pretty blinking amazing) in the region.

So much fabric was printed …… below is some yummy eye candy! I had a wonderful time.

…. that I am exhibiting at Sewing for Pleasure at the NEC, Birmingham from this Thursday 16th to Sunday 19th. I will have a joint stand (number J05) with Ruth Brown again and you can come along and see me demonstrating screen printing and Ruth demonstrating how printed fabrics can be used to create glorious covers for the books she binds.

Ruth will have some book making kits for sale and I will have my usual collection of kits, books, fabrics, screens and dyes etc. Although I don’t have as many Wonky Print Inspiration Packs or Absolutely Darling Hand Dyed Packs as I would like ……. I had a very good show in Glasgow last week!

So, a big, big thank you to everybody who stopped by my stand in Glasgow! And a big ‘look forward to seeing you’ to everybody who is planning a trip to Birmingham!

Leah x

I had a wonderful time last Sunday at the Great Northern Textile Show. The organiser, Tracy Fox, did an outstanding job and is probably still laid down in a dark room recovering! I put my exhibition up on the Saturday afternoon so saw the transformation from empty sports hall to a buzzing textile show. It was wonderful to see so many old friends and to meet new textile artists and traders. And the cup cakes were gorgeous! Well done Tracy!

I had printed and dyed quite a lot of fabric for the show and sold lots but I have some left over. So I have added them to my online shop. They include a selection of Wonky Print Inspiration Packs and some Absolutely Darling Hand Dyed Packs. You can see them all here.

I’m now in book writing mode so don’t expect to be printing or dyeing more fabric until into the New Year so if you’re looking for Christmas presents or just fancy treating yourself now is the time!

Leah x

Last week I taught my last workshop for 2022 and it was a good one. Three great students, beautiful work, lots of laughter …. even when the handle fell off the studio door and we were locked in! (Big thanks to son Joe for letting us out and to my lovely father-in-law Bernard for fixing the problem - don’t know what I would do without them).

I have a five month gap until I start teaching again. Last year I spent my ‘off’ season making art. This year I will be spending it writing my next book and developing my next online workshop.

Over the next couple of weeks I’ll be working my way through a series of tasks that help me re-focus away from teaching mode. I have already moved the benches around a bit and taken down the big plastic screens that separate some of the benches. I’ve cleaned the six student trolleys and re-stocked them ready for next spring. I’ve started the process of inspecting, scouring and, if needed, repairing all my screens. I will be bleaching all my drop clothes to strip out some of the colour that has built up on them during the year. Those that remain very coloured will go through a ‘redemption’ bucket of thiox which is a powerful but very smelly discharge agent. Those that are still too coloured will be re-purposed as quilt bags. I will be organising all my teaching samples, giving some of them a wash before packing them away. I have diligently worked my way through the left over studio chocolate bars and will not restock until spring (who am I kidding!). And I have written a big list of the other stuff that needs doing before next spring.

Yes, some of these things could have waited but they really do help me ‘transition’.

This week I will also be getting ready for the Great Northern Textile Show on Sunday 23rd October. I will be exhibiting and will have a stand and hope to see some of you there. Lots of things to do to get ready, including preparing some more Wonky Print Inspiration Packs!

So, realistically I won’t be working on the book for another week or so but I’m itchin’ to get going!

Cadence 8: Flamin’ Nora

In our heads we know that, as artists, we shouldn’t take rejections to heart. It doesn’t mean our art isn’t good, it might just mean that it doesn’t work alongside the selected pieces. And I’ve had a good success rate so far this year so shouldn’t mind a rejection. Or two. But my heart rules my head when it comes to my heart so poo to being pragmatic!

My latest piece, Cadence 8: Flamin’ Nora has just been rejected by Quilt National.

Which is kind of appropriate as the quilt is a celebration of creativity in the face of life and other annoying stuff. I started work on it over a year ago and everything that could go wrong has gone wrong and everything that could interrupt production has. So it is dedicated to those days when blobs of dye drip onto your printed masterpiece. Those days when you forgot to add a colour catcher to you wash load. When you measure once and cut wrong. When your bobbin thread runs out 2 inches before the end of the last seam. When you spill coffee. When your beloved decides it’s a beautiful day and you should spend it together. When the phone rings and apparently there is a fault on your broadband. When the phone rings and it’s your mother espousing the benefits of cauliflower cheese. Again. When the parcel arrives and you’ve ordered the wrong colour thread. When your machine breaks down one week before an important deadline and it’s a two week repair. When that deadline is Quilt National and you end up buying a new machine ‘cos you just have to finish the flipping quilt. For the days when you get rejected. Flamin’ Nora!

Despite all this I really love this quilt, it makes me smile and I am so glad that I did get it finished.

I also love Artefact 5, another recent piece, which has just been rejected by Australias’ International Art Textile Biennial. Poo and double poo!

And because bad things come in threes I can also report that my thermal imaging machine has finally died so I’ve withdrawn thermofaxes from my website. Poo, poo and triple poo!

Thankfully I am one of life’s optimists and, with the help of chocolate and gin, I am completely over the bad news! Onwards and upwards!

Artefact 5

It has been a strange couple of weeks here in the UK with so many things paused and general life feeling somewhat subdued. But now things are getting back to normal and I am delighted to let you know that I will be at this wonderful new event, the Great Northern Textile Show and Sunday 23rd October.

I’m honoured to be the featured gallery artist and will be showing a mixture of old and new quilts under the title ‘Beyond Ruins’. You can find out more about the gallery here.

I will also have a stand at the show and will be in very good company. The organiser, Tracy Fox, has done a really good job of gathering a diverse range of traders and you can find out more here. There will be fabric, kits, yarn, spinning equipment, sewing & embroidery machines, dye, fibre & fleece and much more.

You can follow the show on social media using the links below:

https://www.instagram.com/greatnortherntextileshow/

https://www.facebook.com/greatnortherntextileshow

https://twitter.com/GNTextileShow

If you live in the North West I’d love to see you there! This first event is a little acorn but with your support it will grow and grow!

The whirlwind that is Festival of Quilts is over for another year and I am already looking forward to next year! Thank you to everybody who stopped by and made it such a successful show and welcome to all you new subscribers. My biggest thanks though goes to Ruth Brown, friend, book binder, textile artist and all-round superstar. I quite literally could not have done the show without her.

I’m not sure we could have fitted more stuff in my van - lets just say that it is a good thing that both Ruth and me have short legs! Set up went pretty smoothly and I was really pleased with my stand. Lots of fabrics, lots of books, lots of dyes and lots of breakdown screens ready for me to print. The show opened at 9.30am on Thursday and we never stopped! My notes for next years show consist of one word ‘more’. More fabrics, more books, more screens ….. not quite sure how we’ll fit everything into my van but what a wonderful problem to have.

As well as the stand this year I was part of the studio collective running the Creative Textile Studio. This is a live space where a fantastic group of artists and demonstrators share their techniques and their work. Myself, Christine, Hazel and Terry are so grateful for the volunteers who helped set up the studio, who manned the sales table and generally pitched in when needed. If you visited the studio we would love to get some feedback from you.

Myself and Ruth also demonstrated in the studio and I thought I’d share a photo that one of the other demonstrators, Amanda Duke, sent me …. this was taken at about 4pm on the final day and boy do I look tired. Tired but happy! Thank you all again x

You’ll know already that I have a stand at Festival of Quilts (K47) and am involved in running The Creative Textile Studio at the show. This is the biggest quilt / textile event in Europe and the biggest event in my dairy. And getting ready for it is involves lots of lists …. the full packing list for the car along with lots of sub-lists. Lists of the equipment needed to ‘build’ the stand - table tops, table legs, shelf uprights, shelves, cross braces, table cloths, display cases, drill, hammer, screw drivers, screws (and gaffer tape and cable ties just in case, well there isn’t much that can’t be held together with gaffer tape and cable ties). Lists of stuff to go on the walls - which quilts to take (with velcro strips sewn on top and bottom), signage, velcro dots and tapes for sticking stuff up, double sided tape as the emergency back up option. Lists of paperwork. Lists of stuff needed to breakdown print on the stand (must, must, must not forget to make the screens next weekend!).

And that’s before I figure out the stuff that I’ll take to sell. Although it is wonderful to take bookings for workshops whilst I’m at the show the reality is that most people want to check their diaries and think about spending what is quite a lot of money before they book. So the cost of the show really needs to be covered by the sale of fabrics, books, dyes, screens etc. Books, dyes, screens etc are straightforward and don’t take too much time to organise. But my printed and hand dyed fabrics do. Whilst I print and dye quite a lot of fabrics during my workshops there is not enough to cover a show like Festival. So these last few weeks I have been topping up my supplies. And I love it! Printing and dyeing fabric to sell isn’t the same as printing and dyeing fabric for use in my art. There is no deep meaning, no controlled development of a colour palette, no sampling of printed fabrics. Instead I can just go for it! And loose myself in colour and in printing. Hard work but deeply satisfying. And the results - well I hope to have about 60 Wonky Print Inspiration Packs and 40 Absolutely Hand Dyed Fabric Packs ready for the show. That’s a bit more than I’ve taken to previous shows so I’m expecting to put the ones that don’t sell onto my website after the show. Maybe not immediately after …. I’m going to need a bit of a snooze after all the excitement of the show!

I’ve also developed something new for the show. Greeting cards that feature my breakdown printed fabrics. I’ve sold postcards before that were printed from photos of my art but have never felt that they really did justice to the intricate marks you get with breakdown printing. My new greetings cards are A5 and each one is completely unique. Some use fabrics which are very easy on the eye and some use fabrics that are a bit more urban and ‘gritty’. Any one piece of my printed fabrics might be used to make multiple cards but each will be unique as breakdown printing doesn’t give you repeated, uniform patterns. Which is why I love breakdown printing. Although they are greetings cards they could also be framed. Little pieces of affordable art. But I’m not sure what to charge. £2.95 would fit in with what a lot of artists charge for their printed greeting cards but there is a lot more work involved in making these fabric cards. There are a couple of examples below … would love to hear what you think?