So ‘the book’. Yes it is still too soon for me to reveal all but I can tell you that it is a more complex beast than Breakdown Your Palette. It has a broader subject and, whilst there are lots of ‘instructional’ bits, there are also lots more ‘wordy’ bits. Bits that require me to strung together coherent sentences and even coherent paragraphs. Bits that require a plentiful supply of coffee, biscuits and chocolate. (I save the gin for really bad days). Bits that some days get the better of me. Darn those bits!

There are definitely days when I wonder how I managed to finish my first book and what on earth possessed me to start a second. Let alone one that is about … nope, it is still too soon.

On the plus side though I have the perfect excuse for walking away from my computer. Samples. Dyeing samples. Printing samples. Constructing samples. Photographing samples. Surrounding myself with lovely, lovely colour. I’m just hoping that I can extract all the wordy stuff out of my head and into my computer before I run out of samples to make! There are only so many hours a day that I can bang me head on my desk. I’m also hoping that I can remember how to use InDesign as I haven’t opened the software since I finished the breakdown book 17 months ago. I suspect there will be even more coffee, biscuits and chocolate (and gin) needed.

I love it really. And I think I can tease you with a couple of shots of my studio and my design wall taken this week ….

I may have been quiet on social media for the last couple of weeks but I have been busy in the studio working on my next book. The world outside is still an upsetting mess but life in the studio has been a calm, colour filled oasis of gentle productivity. There is still a very long way to go but I have been playing with my Procion MX dyes. Exploring them individually, mixing them to create hundreds of new colours and dyeing fabric. Life feels good.

I was also delighted to receive my copy of the Contemporary Quilt newsletter. It is a special addition focused on the theme of colour and I’m proud to have written one of the articles entitled Colour and Breakdown Printing. The front cover is from the very talented Alicia Merrett. Maggie Jarman and Annie Henderson-Begg have done a splendid job under difficult circumstances and it is much appreciated …. receiving the newsletter through the post felt like a return to normal. Even if we all know that normal is going to be different.

Stay well, Leah

It has been a better week. Not out there - out there the infection rate and death toll is still too high and our politicians …. well, don’t get me started!

But here in the Higgins household, in my studio, in my head and in my heart it has been a better week. Thanks in no small part to the support and generosity of this wonderful textile community. There has been the odd ‘moment’ but most days I have put in some solid work on my next book and on my latest quilt.

It is still too early to say too much about the book. I’ve got about a third the words out of my head and in rough draft and I have a solid outline for the remainder. The list of samples I need to make, and processes I need to break down and photograph is looking a bit daunting at the moment. But if I can work at a steady pass I hope to have the book ready by the end of the summer.

I have been working at the computer each morning and afternoon but by about 4pm my brain starts leaking out my ears and I need to switch to something less challenging. And this week that activity has been quilting the second piece in what I guess I should call my Covid 19 series. I wonder how many Covid series are being worked on by artists around the world right now? I have finished the quilting on both pieces, trimmed them to the same size and added facing strips. I just need to sew those strips down and they will be ready to photograph. I think the two pieces would best be described as companion pieces as they both relate to the same day in April. I don’t think they work as a diptych because of the shift in scale between the two. I haven’t decided which juried exhibition to enter them into yet so I’m only showing a shot of some detail right now. Once they have been rejected (or more hopefully accepted) I will be free to share them with you!

Tomorrow should have been my first day teaching my 5 day Breakdown Your Palette workshop this year. It is so sad not to be welcoming new students into the studio but life is what it is and we just have to get on with it. But I am not going to miss out completely. My post 4pm, less challenging activity this next week is going to be breakdown printing fabric for sale on my website. My week will be full of colour!

As always, I hope you and yours are still OK, stay well. Leah

…..for some shameless self promotion! With Christmas only a few weeks away we are being constantly bombarded with adverts encouraging us to indulge ourselves and our loved ones. Those who have been reading my blog for a long time will know that I am about ‘Ba Humbug’ about the whole thing but I now have a business to run. So here I go …..

Looking to fill a rather large flat stocking? Why not pick a good read and buy my book Breakdown Your Palette? Full of lovely images and detailed instructions you can find out more (and purchase) here.

And how about a workshop in the New Year to wipe away those winter blues? I still have one place left on my Creative Surface Design course starting on 1st and 2nd February 2020. The course is spread over 5 weekends and is a design focused course where you will work from your own source or sources of inspiration. You will learn how to combine different surface design techniques to create lovely cloth. You can find more details here.

Due to a cancellation I now have one place available on Alice Fox’s 3 day Rust Marks workshop. Using an experimental approach and found metal you will explore methods for transferring marks from rusty metal onto papers and fabrics. The workshop is on 27th to 29th March 2020 and you can find more details here.

I also have just one place left on my 5 day Print, Stitch, Go! workshop (Monday 17th to Friday 21st February 2020). In the first half of this fun packed 5-day workshop you will use a variety of screen printing techniques to create a collection of fabrics in a limited colour family. You’ll also exchange dye fat quarters in coordinating colours. In the second half of the week you will use your fabrics to design and stitch a small wall hanging or quilt top. I’m teaching this workshop this week and loving getting students to cut into their precious printed and dyed fabrics! Gorgeous work in progress below by Bernice Hopper and Sue Morgan. The workshop will also be run in November next year. You can find more details here.

My Breakdown Your Palette workshops in 2020 are now all full. But don’t despair! I have added new workshop dates for May and June 2021. Yes it’s a long way off but why not have a look and book your place. Or drop a really, really big hint to a loved one! For full details and to purchase please click here.

Can’t wait until 2021 to have a go? Well how about playing at home using my book Breakdown Your Palette as a guide? You guessed it … you can find more details here.

Shameless and blatant self-promotion …… hmm might need to take a shower…….

Seasons greeting everyone xx

About 10 months ago I made the BIG decision to leave corporate life and to earn my living as a full-time artist, teacher and now, author. In some ways it was a really easy decision to make - I am doing the things I love most, in the place where I am happiest, I can be a better carer for my husband and can provide support for the rest of my family when they need it. I have swapped 90 minutes each day sat in traffic for an absolutely ghastly twenty metre commute to the bottom of the garden! And with any luck I will never have to wear a suit again! I am living my dream!

But it was still a big decision because of money. What else? We still have a mortgage to pay and a big, old house that costs a fortune to heat and always seems to have something that needs fixing. We were also used to a good income and the comforts that come with it. Stopping spending money on stuff we really didn’t need was an easy sacrifice to make. But could I make enough money to keep the lights on and food on the table? On paper, with a business plan and a lot of determination and hard work the answer is ‘just about’. But not immediately.

I have been amazed by the response I have had to my workshops but, currently, the income from them is erratic and I think it will take a year or two before I have built up a good reputation and student base. It would be wonderful if I could make up the shortfall by selling my art but I am a realist. So I needed to look at other income streams.

Cue my good friend Ruth Brown. Having written two very successful books herself, she was able to show me the financial advantages of investing my time in writing a book. More importantly, she believed I could do it and gave me loads of encouragement when I had all those moments of self doubt. Thank you Ruth x.

And of course the book had to be about breakdown printing - I have spent the last few years obsessed by it. Having a science background I have inevitably focused on trying to control the process and it is this depth of understanding that I have tried to convey in the book. Along with a practical, common sense approach to screen printing at home - after all I didn’t always have a lovely studio to work in.

It took me a little while to decide on the structure of the book but then I got to make lots of different samples - heaven! I have been so focused over the last few years on working in series and with restricted colour palettes it was an absolute joy to work in lots of different ways with lots of different colours! Not that every sample worked out first time - yes I made some pieces of truly ugly fabric along the way but then had fun figuring out how to ‘rescue’ them!

I couldn’t figure out how to photograph myself whilst printing. Cue my oldest son Joe. No previous experience but now photographer par excellence! We took over 2000 photos of which most were discarded and ended up with over 350 images in the book. Digital photography is a wonderful thing especially combined with Photoshop!

The ‘writing’ part of the book came relatively easily as I had some experience writing technical documents and manuals in my previous life. Although I am indebted to Ruth and to my daughter Jess for their proof reading skills. I tend to write like I speak, without drawing breath. Luckily Jess had an endless supply of commas. And don’t get her started on apostrophes. Apparently I am hopeless.

And I am doubly indebted to my daughters partner, Matt Walkerdine who, conveniently, is a graphic designer. He got me started using Adobe InDesign for the book layout and held my hand as we prepared the files for printing and submitted them. The geek in me has thoroughly enjoyed learning how to use a new piece of software. Jess and Matt also run a small indie publishing company which has been useful.

This book has been a labour of love. And a family affair. I am a very lucky woman and chuffed to bits with my first book! And very, very happy with the response it has got - thank you everyone for your kind words and your orders x.

Wonder what I’ll write about next?

I am so very excited, and rather proud, to announce that my first book ‘Breakdown Your Palette’ is now finished and available!!

It is a step-by-step guide to breakdown printing spread over 124 colour pages with over 350 images. If you read this blog, or follow me on Facebook or Instagram, you will already know that I love, love, love breakdown printing or deconstructed screen printing as it is called in the US. The two step process in which dye is first added to the screen then the screen printed creates the most wonderful complex, organic often textural prints that can’t be achieved by any other surface design method. Whilst it is the unpredictability of the process that often produces the magic it is possible to influence your outcomes. To create pieces of fabric that are recognisably derived from your personal inspirations and colour choices.

Breakdown Your Palette is a mixture of detailed ‘how to’ sections and, hopefully, inspirational examples. I show you how to breakdown print using Procion dyes on cotton, silk and other natural fabrics. In the book you will learn how to use recycled, re-purposed and easy to find tools and equipment to start breakdown printing at home. You will learn about single colour printing, multi-colour printing and how to use temporary resists on your screen. And I have included a section on how your breakdown printed fabric can be enhanced by adding or removing colour. The book contains recipes and details of the dyes and other chemicals you will need along with a list of UK stockists. There is a brief section on colour blending and lots of little asides about how I work in my studio.

The book costs £18. It can be purchased on my website here with delivery cost added at checkout. I can post world wide. And of course I will have lots of copies with me at the two shows I am doing in March and when I have my solo exhibition at Festival of Quilts in August.